Pinoo Shukla is a self-taught artist whose practice is deeply rooted in a lifelong connection to nature. Encouraged from a young age, his early development began with watercolour studies of still life, landscapes, and natural forms. Over time, his work has evolved through continued observation and practice, alongside recent study with Marina Emphietzi, which has further supported the refinement of his technique and artistic confidence.
Shukla’s work focuses primarily on landscapes and seascapes, with trees often forming the central motif within his compositions. His paintings are guided by a strong sensitivity to colour, light, and atmosphere, capturing the visual and emotional qualities of the natural environment. Through careful observation, he builds compositions that emphasise harmony, balance, and the interplay of light and shade.
Growing up in Africa had a lasting influence on his artistic vision. Surrounded by forests, open landscapes, and the sea, he developed a deep appreciation for nature, which continues to inform his subject matter and creative direction. This connection is evident in his work, where natural elements are explored with both familiarity and quiet intensity.
Shukla’s process is intuitive yet attentive, grounded in close study of his surroundings and an instinctive response to what visually resonates with him. Rather than focusing on narrative or symbolism, his work celebrates the beauty and immediacy of nature itself.
Currently exploring woodland scenes with strong lighting and atmosphere, Pinoo Shukla continues to develop a body of work that reflects his enduring fascination with landscape, offering viewers a direct and personal engagement with the natural world. He will also be exhibiting at FLUX Exhibition this September as part of the Marina Emphietzi Collective.
Are you self-taught, or did you undertake formal artistic training?
I am self-taught and have been painting from a very young age, encouraged early on by my father. Over the years, I developed my skills further through school, working in watercolours on still life, landscapes, and nature. For the past few years, I have also been taking classes with Marina Emphietzi, which have helped me continue refining my practice.
How would you define your visual language or conceptual approach?
My work centres on landscapes and seascapes, often inspired by other artists. Trees are frequently the focal point of my compositions, as they hold a strong visual and emotional presence for me.
Can you describe your creative process from conception to completion?
My process is grounded in careful observation. I pay close attention to colour, composition, light, and shade, allowing these elements to guide the development of each painting.
Does narrative, symbolism, or storytelling play a role within your work?
No, storytelling is not central to my work. I paint what appeals to me and what I feel drawn to visually and emotionally.
Which artists have most influenced you historically or contemporarily, and why?
In my early years, I was influenced by my uncle, who was an art teacher. Later, Paul Gauguin had a strong influence on me, particularly through his use of bold colour. More recently, I have come to admire the work of Onelio Marrero, whose use of colour and atmosphere I find very moving.
What personal, cultural, or environmental influences shape your practice?
Growing up in Africa had a profound impact on my work. Being surrounded by forests, woods, and the sea instilled in me a deep connection to nature, which continues to influence my subject matter.
Where is your studio based, and how does the space inform your creativity?
My studio environment allows me to observe nature closely and translate those impressions directly into my paintings.
Do you have any rituals or rhythms that anchor your studio practice?
I do not follow any particular rituals. My process is intuitive and guided by observation.
What bodies of work or projects are you currently developing?
My work is an ongoing exploration. At present, I am focusing on woodland scenes with strong lighting and atmosphere.
