exhibitions, projects and publishing

the flux review

The Flux Review brings together distinctive artists, serious writing and ambitious creative projects through print, digital publishing and exhibitions.

Wei Keong Tan – Q&A

Wei Keong Tan – Q&A

Wei Keong Tan is a designer and artist whose ceramic practice explores the complex relationship between human control and the natural world. Born in Singapore and now based in Gloucestershire, Tan brings together an early background in product and industrial design,...

Greg Kent – Q&A

Greg Kent – Q&A

Greg Kent’s sculptural woodturning begins with an appreciation for the innate character of timber, its grain, burrs, colour and evidence of decay, but it extends far beyond the material’s natural beauty. Self-taught and later supported through a QEST Scholarship, Kent...

Kathryn Thomas – Q&A

Kathryn Thomas – Q&A

Painting Light, Atmosphere and Wonder For Kathryn Thomas, painting is an act of attention: a way of meeting the shifting drama of light, colour and atmosphere before it slips from view. Trained in Fine Art Painting at Bristol Polytechnic, now the University of the...

John Carpenter – Interview

John Carpenter – Interview

Scale, Colour and the Sculptural Language of Form John Carpenter’s abstract paintings are defined by a striking balance between boldness and refinement. Trained as an illustrator at the University of Westminster before completing his master’s degree at the Royal...

Neal Scrase – Q&A

Neal Scrase – Q&A

Neal Scrase is a contemporary artist whose work moves between surrealism, portraiture and imaginative storytelling. Self-taught, he has been painting for most of his life, developing a practice rooted in inner vision rather than direct reproduction. His paintings seek...

Amarajyoti – Painting as Meditation

Amarajyoti – Painting as Meditation

Amarajyoti is an artist whose practice brings together painting, meditation and a lifelong engagement with creativity as a form of inner exploration. Trained in Art and Design in the 1960s, she went on to teach art for more than 20 years before travelling to India and...

Kate Enters – Interview

Kate Enters – Interview

Kate Enters is the founder and director of ArtCan, an international arts organisation dedicated to supporting artists through opportunity, visibility, community and fair payment. Founded in 2013, ArtCan has grown from a peer-led exhibition initiative into a...

Jenette Coldrick Morell – Q&A

Jenette Coldrick Morell – Q&A

Jenette Coldrick Morrell is an interdisciplinary artist whose practice spans more than five decades, moving between painting, pottery, printmaking, textiles and mixed media. Born in Cornwall in 1952, her early encounters with artists including Isobel Atterbury Heath...

Vikoi – Q&A

Vikoi – Q&A

Vikoi’s practice unfolds through bold, colourful acrylic works that use playfulness as a way into more complex questions of identity, neurodivergence, mental health and the structures that shape contemporary life. Born in Somerset and self taught, she creates work...

Neil Eckersley – Q&A

Neil Eckersley – Q&A

Neil Eckersley’s journey from Olympic judo to contemporary abstract art is one of transformation rather than departure. A two-time Olympian and Olympic bronze medallist, Eckersley brings the discipline, resilience and intensity of elite sport into a visual language...

Alexander Stepanets – Q&A

Alexander Stepanets – Q&A

Alexander Stepanets’ practice uses satire, allegory and a sharply controlled visual language to confront the psychological and social conditions shaped by violence, fear and moral collapse. Trained in printmaking at the Kharkiv State Academy of Design and Fine Arts,...

Claudia Tong – Q&A

Claudia Tong – Q&A

Claudia Tong’s practice moves fluidly between traditional and new media, bringing together painting, illustration, mixed media, computer graphics, digital art and music composition. Rooted in the human experience of ordinary moments, her work finds wonder in the...

exhibitions, projects and publishing

Where could your work go next?

FLUX offers different ways to move your practice forward, whether you want to be published, strengthen how your work is presented, or take part in future exhibitions.

PUBLISH

Tell Your Story

Your work deserves more than a passing mention. Through artist interviews, Q&As, profiles and selected print opportunities, The Flux Review gives artists space to share the ideas, influences and experiences behind their practice.

Each feature is designed to place the work within a wider context, helping readers understand not only what you create, but the thinking and perspective that shape it. From concise online Q&As to more in-depth editorial features and appearances in the printed magazine, FLUX offers different ways to build visibility with substance.

The aim is not simply exposure, but thoughtful presentation that gives your practice a stronger and more lasting presence.

DEVELOP

Present your practice with confidence.

How your work is presented can be just as important as the work itself. The Flux Review offers professional support to help artists communicate their practice with greater clarity, consistency and impact.

Through portfolio reviews, artist statement development, biographies, press materials and independent critical writing, we help you refine the way your work is seen and understood. Whether you are preparing for an exhibition, approaching galleries, applying for opportunities or simply reassessing how you present your practice, each service is designed to strengthen the materials that represent you.

The focus is not on changing your voice, but on helping you articulate your ideas more effectively and present your work in a way that feels considered, professional and true to your practice.

EXHIBIT

Bring the work into the room.

Some work needs to be experienced in person. FLUX exhibitions bring artists and audiences together in carefully curated spaces, creating opportunities for work to be encountered beyond the screen and within a wider visual conversation.

Our exhibitions are designed to give each artist a meaningful presence while allowing individual works to sit alongside different practices, materials and perspectives. From large-scale London exhibitions to selected collaborative projects, FLUX creates environments where artists can connect with new audiences, fellow practitioners, collectors and creative professionals.

For many artists, exhibiting with FLUX becomes part of a wider relationship that continues through publishing, editorial features, future projects and ongoing opportunities across The Flux Review.