magazine, exhibitions and projects
the flux review
Katie Jamieson – Q&A
After completing a BA in Fine Art at Falmouth College of Arts, Katie Jamieson went on to train at RADA as a scenic artist in theatre and film. She believes working in theatre gave her a foundation to explore creativity in a dynamic and multifaceted way. The range of skills and techniques Jamieson acquired during this time has enabled her to develop her own individual style and practice as an artist in her own right. Jamieson’s practice incorporates both painting and sculpture. She likes to move constantly in and out of these two disciplines exploring surface, texture and form. Fragility and the transient nature of life, are two themes that she keeps revisiting whether creating large scale paintings or hundreds of small-scale objects.
Val Murray – Q&A
Val Murray has always been fascinated by the ordinary places, objects and activities which make up the world she inhabits. How do humans and their environments, natural and built, interact? Murray is interested in Mabey, Tsing et al’s ideas of complex interrelations between species and survival in a ruined planet through ‘wonderous attention’ and ‘creative curiosity. She documents examples of entanglements aiming to make tangential reference to human impact on the natural world rather than to ‘preach’
Carne Griffiths – Q&A
Working primarily with calligraphy inks, graphite and liquids, such as tea, Carne Griffiths’ fascination with drawing focuses on the creation and manipulation of the drawn line. Images explore human, geometric and floral forms, in a combination of both literal and abstract translation and in response to images and situations encountered in daily life. Images are recorded in a dreamlike sense onto the page where physical boundaries are unimportant. His work creates a journey of escapism that focuses on scenes of awe and wonder, projecting a sense of abandonment and inviting the viewer to share and explore this inner realm.
Orlanda Broom – Q&A
Orlanda Broom was born in the United Kingdom in 1974. She studied Art and Design at the Cheltenham School of Art in England as well as at the Winchester School of Art in Barcelona. She has worked as an artist ever since earning her master’s degree in 1997. Broom has completed large-scale commissions including the 4x4m piece for the lobby of the new Four Seasons Downtown New York and a large abstract for the Mandarin Oriental in London. Her work has also appeared in exhibitions in London, Paris, and South Africa. The artist lives and works in Hampshire on the southern coast of England.
Jen Kiaba – Q&A
Jen Kiaba is an artist and educator who grew up in the infamous Unification Church, a religious group referred to by popular media as “the Moonies” and a primary example of a cult. After escaping a forced arranged marriage, she fought her way out in her early twenties. After leaving the cult she went on to earn her BA
Vicky Martin – Q&A
Vicky Martin is an international award-winning fine art professional photographer from the UK. Her first introduction to photography was whilst studying art and design at college in the 90s, she fell completely in love and found it to be a natural fit creatively, realising that this was what she wanted to do with her life she went on to dedicate her studies to photography. Initially, she started out photographing in black and white but later moved on to colour and now tries to utilise the colour in her photographs to benefit the overall narrative. Since 2008 after Martin was awarded a prestigious bursary she has been developing her professional career in photography.
Kayee C – Q&A
Kayee C is a fine art photographer born and raised in Hong Kong before relocating to France a decade ago. She uses techniques of self-portrait and digital composite to create storytelling images to explore the dynamics of relationships on different levels. Her works can be humorous, dramatic or melancholic staging of a variety of human interactions.
Sarah Rocca – Q&A
Sarah Rocca is a self-portrait artist who explores the beauty she sees in the darkness of life. Where you might feel tension or discomfort, Rocca feels a sense of peace and ease when delving into subjects like fear, anxiety and death. This fascination with darkness and beauty can be seen throughout Rocca’s work as she aims to create pieces that ask the viewer to see themselves through her eyes. Rocca’s work portrays single subjects, often in uncomfortable positions, signifying the challenges we face mentally and physically throughout our daily lives. Rocca aims to explore subjects which society would rather sweep under the rug and what social media hides; female sexuality, anxiety, mental health, grief. These are topics which everyone will encounter throughout their lives yet for many they are topics you don’t speak of. Rocca uses her art as a way to tell her own story which allows the viewer to feel like they can relate in one way or another.
Crystal Marshall – Interview
Crystal Marshall is a contemporary fine artist who lives and works in Atlanta, Georgia. Originally from Kingston Jamaica, Her paintings pay homage to her life’s experiences rooted in cultural disparities in the modern-day African diaspora. Her distinctive personal style emanates isolation, self-reflection and expresses the spirit and atmosphere of the black consciousness in efforts to reconcile its relationship with true identity and image.
Kaoru Shibuta
The Music of Art Kaoru Shibuta is an exciting Japanese painter who has exhibited his work both at home in Japan and abroad in Spain, Taiwan and Cambodia. Inspired by jazz and classical music, he predominately composes paintings that act as visual transformations of...
Jane McAdam Freud – Interview
Jane McAdam Freud is an award-winning, internationally acclaimed sculptor and multidisciplinary artist. Very early on, museums and institutions began acquiring her relief works and drawings. Writing is a large part of her practice and McAdam Freud has published over twenty papers on her works and process. Graduating with honours in 1981 from the Central School of Art in London, she went on to be awarded the British Art Medal Scholarship in Rome – an accolade she held for three years. She continued to teach short courses at the Royal College of Art while from 1993-95 combining that role with a Master’s degree (Project title: Forms of Relief).
Shani Rhys James – Exhibition
Connaught Brown is delighted to present Hunan-ynysu : Self Island, an exhibition by the acclaimed Welsh artist Shani Rhys James. In her arresting still lifes, portraits and interiors Rhys James examines her own image and relationships to explore the transience of being. Created over the past year during the Covid filled months, this new body of work reflects upon the challenges and realisations we have been confronted with, as both individuals and society.
Roberto Voorbij – Q&A
Roberto Voorbij is a multidisciplinary artist apart from working with ‘ready made’ materials, he works with video, 3D Software and (digital) collage. Commerciality and public space are recurring themes in Voorbij’s work. What highly fascinates him about this is the underlying history, politics and marketing strategy of our seemingly neutral environment. His works are often socially critical. Another recurring theme concerns the art world/art market and the way in which the artist manifests itself here, as well as the autonomy of the artwork that’s being questioned.
Charlotte Fraigneau – Interview
Charlotte Fraigneau is a visual artist using both analogue and digital photography as a lens through which we can open a conversation about mental health and global warming. She is interested in exploring our mental, physical and emotional responses to overwhelming stimuli as well as the often negative yet sometimes beautiful impact of humans on the planet.
Eugene Ankomah – Q&A
Eugene Ankomah is also known as EA, is a UK based Artist, born in London UK to Ghanaian parents. Is one of the most exciting, gifted and versatile young artists in the UK today. A former child prodigy, he is a respected international multidisciplinary Visual Artist and personality with an ever-expanding reputation and prolific body of work. His innovative work has included painting (his primary practice), design, installation, costume, set design, digital art, sculpture, printmaking, performance, sound art and writing. Ankomah is also well known for creating different often challenging “characters” or “personas” designed to front his powerful but often political, social and community cohesion focused works (awarded many times). He is a unique, ever-changing Visual Artist often cited as an inspiration to many, especially young artists and creatives.
Mylo Elliott – Q&A
Questions of ‘shared space’ and ‘value’ of art arise when it comes from the city– the sum involves the means by which the art is made and the conditions that affect the artist. Mylo Elliot’s art is a complexity, a use of language and representation. Patterns are observed in writing, inherent structure- architecture, meaning and significance emerge. Working with single words and letters allows Elliott to construct fabric in painting and represent creative movement. By breaking down words in interaction, we can revalue what we already put into everyday communication.
Carp Matthew – Q&A
Carp Matthew is a visual artist predominately working with oils. He is known for his dark, visceral and grotesque style featuring mutated lost characters, full of longing, despair and banality. Continually roving between subject and observer, Matthew’s visualizations are at once the artists’ own nihilistic and dark observations of contemporary society with all of its pitfalls as well as the artists’ own longing to understand and assimilate into the world around him. His abstract figures are often depicted in empty rooms or carrying out mundane and everyday tasks, whilst their true nature or feelings are revealed through mutated expressions or physical manifestations.
David Studwell – Q&A
David Studwell is a contemporary British artist and printmaker who studied at Central St Martins School of Art. Having worked as an artist for over 20 years, Studwell harnesses the spirit of the sixties and seventies, the cult of celebrity and the legacy of Warhol to produce iconic screen prints. His works explore the darker side of fame, nostalgia and Americana-police mug shots of well-known stars show them at their most vulnerable, or at their most defiant. Private moments of icons at screen tests or during reflection become graphically public, produced in bold and vivid colours.

















