Q&A – Deniz Kazma

Q&A – Deniz Kazma

Deniz Kazma’s journey seems to show that it is not. Like her art, her life is a “work in progress” nourished by tradition and modernity. Tradition because the Asian cultures are well anchored in her artistic DNA. Modernity because our reality is...
From Sculpture To Indigenous Radio

From Sculpture To Indigenous Radio


Andrew Graves-Johnston So, where to begin? Way back in 1987 I attended a huge squat party in a Kings X disused bus garage hosted by the Mutoid Waste Company. Amongst the live bands, DJ sets, street theatre, and circus acts I was confronted with awesome mixed media...
Q&A – Paul Blenkhorn

Q&A – Paul Blenkhorn

Delighted to introduce Paul Blenkhorn to The FLUX Review Q&A’s. ‘For more than 30 years I have been working in the area of sensory stimulation with a specific interest in visual stimulation for children and adults with disabilities. My work has...
Philip Michael Wolfson

Philip Michael Wolfson

The Studio of Philip Michael Wolfson operates in that area between architecture, across the fields of sculpture and installation, experimental design, interactivity, film and art.  Trained internationally as an architect, his studio maintains a fascination with and...
Q&A – Gareth Jones

Q&A – Gareth Jones

Gareth Jones first took to painting following his diagnosis with Bipolar Disorder, ADD, Borderline Personality Disorder and OCD. After first being advised to try something ‘creative’ in a psychiatric hospital, Gareth then locked himself in a makeshift studio for...
Why I Create Art – Ashima Kumar

Why I Create Art – Ashima Kumar

For Ashima Kumar – Art is the freedom to live. Creating art is a risk we choose to take in the hope that we can soar to heights imagined and unimagined. Why do I create art? It’s a question I am often asked and one I have long pondered upon. Is it to express...